Recently, the University Press of Florida posted information online about my first book, Afro-Cuban Religious Arts: Popular Expressions of Cultural Inheritance in Espiritismo and Santería. I began working on the book more than a decade ago. I was drawn to these materials, and particularly the four women about whom I write, because of the ongoing absence of histories of women who shaped the international character of modern and contemporary Latin America…
Tiburcia Sotolongo (1861-1938) was born on a sugar plantation in Havana Province—in an area where slavery did not end until the 1880s. She moved to Havana City during the wars for independence from Spain. There, she supported herself and her four adopted children by working as an Espiritista, or medium, and as a Santera, or priest of Santería.
Hortensia Ferrer (1906-1992) was adopted by Tiburcia Sotolongo and began to assist Tiburcia with her religious work in Havana City. In 1938, she inherited Tiburcia’s practice and extensive network of religious family and clientele.
Iluminada Sierra Ortiz (circa 1918-1981) was born in Mayaguez, Puerto Rico, and moved to Havana, Cuba, in the 1930s in order to pursue her dream to be a singer and entertainer. Although she had limited success performing in the entertainment industry, she became an important assistant to Hortensia Ferrer’s religious practices, particularly as a dynamic singer and knowledgeable altar designer…
Marta María Pérez Bravo, “Cuanto Encontró Para Vencer,” 2000
Her photographs are deeply immersed in the representations of the female body, and in Afro-Cuban religions of Santeria and Palo Monte, and the Yoruba traditions brought to Cuba by African slaves.
